| Year | Title | Category | Artist | Art Movement |
|---|---|---|---|---|
| 2019 | ‘The Mask and the Mirror’ in Helene Schjerfbeck, Royal Academy, London, 2019 | Essays in Catalogues | Helene Schjerfbeck | Modern European Art |
| 2020 | ‘Alice Neel et le nouvel humanisme’ in Angela Lampe (ed.), Alice Neel. Un Regard engagé, Centre Pompidou, Paris 2020 | Essays in Catalogues | Alice Neel | American Art 1940-80 |
| 2019 | ‘Untitled 1980’ in Maja Wismer (ed.), Helmut Federle 19 E 21 St. Six Large Paintings, Kunstmuseum Basel, 2019 | Essays in Catalogues | Helmet Federle | Contemp. European Art Minimalism |
| 2018 | ‘Sebatiano Barassi, Tania Moore, and Jon Wood, “Becoming Henry Moore”’, Sculpture Journal,, vol. 27.3, 2018, pp.384-87 | Magazine Reviews | Henry Moore | British Art 1918-39 |
| 2018 | ‘Projects and Portfolios: Narrative and Structure in Ruth Pelzer-Montada (ed.), Perspectives on Contemporary Printmaking. Critical Writing Since 1986, Manchester University Press, Manchester 2018 | Chapters in Books | Contemporary Prints | |
| 2018 | Antony Gormley: SUBJECT, Burlington Magazine, August 2018 | Magazine Reviews | Antony Gormley | Contemp. British Art |
| 2017 | ‘The Other New York’, in Hilton Als, Alice Neel, Uptown, David Zwirner Books, New York and Victoria Miro, London, 2017 | Essays in Catalogues | Alice Neel | American Art 1940-80 |
| 2016 | ‘Alice Neel’ in Ann Hoste (ed.), These Strangers … Painting and People, SMAK Ghent, 2016 | Essays in Catalogues | Alice Neel | American Art 1940-80 |
| 2016 | Alice Neel: Painter of Modern Life, Jeremy Lewison (ed), Ateneum, Helsinki, Mercatorfonds, Brussels and Yale University Press, New Haven. | Exhib. Catalogue | Alice Neel | American Art 1940-80 |
| 2016 | ‘A New Spirit of Freedom: Abstract Expressionism in Europe in the Aftermath of War’, in David Anfam (ed.), Abstract Expressionism, Royal Academy of Arts, London 2016 | Essays in Catalogues | Sam Francis Yves Klein Willem de Kooning Barnett Newman Michelangelo Pistoletto Jackson Pollock Mark Rothko David Smith Clyfford Still Wols |
Abstract Expressionism |
| 2016 | ‘In the Antechamber of Death: Picasso’s Later Paintings’ in Gordon McMulland and Sam Smiles (eds), Late style and Its Discontents, Oxford University Press, 2016 | Chapters in Books | Pablo Picasso | Modern European Art Psychoanalysis & Art |
| 2015 | ‘Barbara Hepworth Reconsidered’, Burlington Magazine, November 2015, pp.781-86 | Magazine Articles | Barbara Hepworth | British Art 1918-39 British Art 1940-80 |
| 2015 | ‘Wols Problems’, Print Quartlery, September 2015 | Magazine Articles | Wols | Modern European Art Modern Prints 1900-80 |
| 2015 | ‘Chung Sang Hwa. The Poetics of Resistance’ in Yongwoo Lee (ed.) Dansaekhwa, Boghossian Foundation, Kukje Gallery Seoul and Tina Kim Gallery, New York 2015 | Essays in Catalogues | Chung Sang Hwa | Korean Art Minimalism |
| 2014 | ‘Two Mondrian Exhibitions’ Burlington Magazine, August 2014, pp.529-33 | Magazine Articles | Constructivist Art Modern European Art |
|
| 2013 | ‘In the shadow of Picasso: Asger Jorn and Jackson Pollock’ in Anders Kold (ed.), Jorn & Pollock. Revolutionary Roads, Louisiana Museum of Modern Art, Humlebaek 2013 | Essays in Catalogues | Asger Jorn Pablo Picasso Jackson Pollock |
Abstract Expressionism Modern European Art |
| 2013 | ‘Roots Identity and Loss in the Work of Two Emigré Artists’ in Arturo Varchevker and Eileen McGinley (eds), Enduring Migration Through the Life Cycle, Karnac, London 2013 | Chapters in Books | Contemp. European Art Psychoanalysis & Art |
|
| 2013 | ‘Intimate Relations. The Drawings of Alice Neel’ in Alice Neel Intimate Relations. Drawings and Watercolours 1926-1982 Nordiska Akvarellmuseet, Skarhamn 2013 | Essays in Catalogues | Alice Neel | American Art 1940-80 |
| 2013 | ‘Alice Neel and her Legacy’ in Alice Neel People and Places. Paintings by Alice Neel. Gallery Hyundai, Seoul, 2013 | Exhib. Catalogue | Alice Neel | American Art 1940-80 |
| 2011 | Michelangelo Pistoletto. Mirror Paintings | Chapters in Books | Michelangelo Pistoletto | Contemp. European Art |
| 2011 | Turner Monet Twombly: Later Paintings | Exhib. Catalogue | Claude Monet J. M. W. Turner Cy Twombly |
Abstract Expressionism American Art 1940-80 Psychoanalysis & Art Romanticism |
| 2010 | Alice Neel: Paintings and Drawings, Scheiblermitte, Berlin | Essays in
Catalogues Exhib. Catalogue |
Alice Neel | American Art 1940-80 |
| 2010 | ‘Showing the Barbarity of Life: Alice Neel’s Grotesque’ in Jeremy Lewison and Barry Walker (eds), Alice Neel: Painted Truths, Museum of Fine Arts, Houston 2010 | Essays in Catalogues | Alice Neel | American Art 1940-80 |
| 2010 | ‘Lundquist and the Post-War Figure’ in Fredrik Liew (ed), Evert Lunquist, Modern Museet, Stockholm 2010 | Essays in Catalogues | Evert Lunquist | Modern European Art |
| 2008 | ‘Brice Marden – Romantic Modernist’ in Brice Marden. Jawlensky Awardee. Retrospective of Prints, Museum Wiesbaden, Wiesbaden 2008 | Essays in Catalogues | Brice Marden | Contemp. American Art Contemporary Prints Minimalism Modern Prints 1900-80 |
| 2007 | Ben Nicholson Prints 1928-1968, The Rentsch Collection, Alan Cristea Gallery, London 2007 | Exhib. Catalogue | Ben Nicholson | British Art 1918-39 British Art 1940-80 Modern Prints 1900-80 |
| 2007 | Henry Moore, Taschen, London 2006 | Books | Henry Moore | British Art 1918-39 British Art 1940-80 Constructivist Art |
| 2007 | Christiane Baumgartner, Johan Deumens, Heemstede 2006 | Books | Christiane Baumgartner | Contemp. European Art Contemporary Prints |
| 2006 | ‘Reflections and Impressions’ in Premio Biella per l’incisione: Art in the Age of Anxiety, Skira, Geneva and Milan 2006 | Essays in Catalogues | Various | Contemporary Prints |
| 2006 | ‘The Quest for Content: Anselm Stalder, Helmut Federle, Terry Winters and Brice Marden’ in Barry Walker (ed.) Singular Multiples: The Peter Blum Edition Archive, 1980-1994, Museum of Fine Arts Houston | Chapters in Books | Terry Winters | Contemp. American Art Contemp. European Art Contemporary Prints |
| 2006 | ‘The Quest for Content: Anselm Stalder, Helmut Federle, Terry Winters and Brice Marden’ in Barry Walker (ed.) Singular Multiples: The Peter Blum Edition Archive, 1980-1994, Museum of Fine Arts Houston | Chapters in Books | Anselm Stalder | Contemp. American Art Contemp. European Art Contemporary Prints |
| 2006 | ‘The Quest for Content: Anselm Stalder, Helmut Federle, Terry Winters and Brice Marden’ in Barry Walker (ed.) Singular Multiples: The Peter Blum Edition Archive, 1980-1994, Museum of Fine Arts Houston | Chapters in Books | Brice Marden | Contemp. American Art Contemp. European Art Contemporary Prints |
| 2006 | ‘La Chambre double. Inside the Studio of Ra’anan Levy’ in Ra’anan Levy. La Chambre Double. Peintures, Dessins, Gravures, Fondation Dina Vierny – Musee Maillol, Paris | Essays in Catalogues | Ra'anan Levy | Contemp. European Art Psychoanalysis & Art |
| 2006 | Anish Kapoor Drawings, Walther König, Cologne 2006 | Books | Anish Kapoor | Contemp. British Art Psychoanalysis & Art |
| 2006 | ‘The Quest for Content: Anselm Stalder, Helmut Federle, Terry Winters and Brice Marden’ in Barry Walker (ed.) Singular Multiples: The Peter Blum Edition Archive, 1980-1994, Museum of Fine Arts Houston | Chapters in Books | Helmet Federle | Contemp. American Art Contemp. European Art Contemporary Prints |
| 2005 | ‘A Tribute to Karl Weschke’, John Le Carré and Jeremy Lewison, Karl Weschke 1925-2005 | Chapters in Books | Karl Weschke | Contemp. British Art |
| 2004 | ‘Editions Alecto’, Print Quarterly, vol.21, number 2, 2004, pp212-15 | Magazine Reviews | Various | Contemp. British Art Contemporary Prints |
| 2004 | Ben Nicholson, Museum of Modern Art, Hayama, 2004 | Exhib. Catalogue | Ben Nicholson | British Art 1918-39 British Art 1940-80 Constructivist Art |
| 2004 | Alice Neel, a Chronicle of New York, Victoria Miro Gallery, London 2004 | Exhib. Catalogue | Alice Neel | American Art 1940-80 |
| 2003 | ‘The Big Americans’, Print Quarterly, vol. 20, no.3, 2003, pp.311-13 | Magazine Reviews | Various | Contemp. American Art Contemporary Prints |
| 2003 | ‘Alexander Calder’ in Penelope Curtis (ed), Sculpture in 20th Century Britain, vol.II, Leeds 2003, pp32-33 | Chapters in Books | Alexander Calder | American Art 1940-80 |
| 2002 | ‘Why Make Prints’ in Premio Biella per l’incisione 2002, Museo del Territorio Biellese, Biella 2002 | Essays in Catalogues | Various | Contemporary Prints |
| 2002 | ‘Going Modern and Being British – The Challenge of the 1930s’ in From Blast to Freeze. British Art in the Twentieth Century, Kunstmuseum Wolfsburg 2002 | Exhib. Catalogue | Various | British Art 1918-39 Constructivist Art |
| 2002 | ‘Going Modern and Being British – The Challenge of the 1930s’ in From Blast to Freeze. British Art in the Twentieth Century, Kunstmuseum Wolfsburg 2002 | Essays in Catalogues | Various | British Art 1918-39 Constructivist Art |
| 2002 | Ben Nicholson, IVAM Centre Julio Gonzalez, Valencia 2002 | Exhib. Catalogue | Ben Nicholson | British Art 1918-39 British Art 1940-80 Constructivist Art |
| 2002 | Looking at Barnett Newman, August Media, London 2002 | Books | Barnett Newman | Abstract Expressionism Psychoanalysis & Art |
| 2001 | ‘Contemporary British Art in Print?’ in Patrick Elliott (ed.), Contemporary Art in Print, London 2001, pp.13-21 | Chapters in Books | Various | Contemp. British Art Contemporary Prints |
| 2001 | ‘Notes on Pollock and Smith’ in Jackson Pollock and David Smith. Paintings and Sculptures from the 1930s and 1940s, Joan Washburn Gallery, New York, 2001 | Exhib. Catalogue | Jackson Pollock | Abstract Expressionism American Art 1940-80 |
| 2001 | ‘Constructing Modernity: the Art and Career of Naum Gabo’, Architectural Research Quarterly, vol.5, no.2, 2001, pp. 184-6 | Magazine Reviews | Naum Gabo | American Art 1940-80 British Art 1918-39 British Art 1940-80 Constructivist Art |
| 2000 | ‘History, Memory, Society’ in Iwona Blazwick and Simon Wilson (eds), Tate Modern: the Handbook, London 2000, pp.76-88 | Chapters in Books | Various | American Art 1940-80 Contemp. American Art Contemp. British Art Contemp. European Art Modern European Art |
| 1999 | ‘How Europe Fell in Love with Pollock’, Tate – The Art Magazine, Spring 1999 | Magazine Articles | Jackson Pollock | Abstract Expressionism American Art 1940-80 British Art 1940-80 Modern European Art |
| 1999 | ‘From Cultural Barbarian to Cult Icon’, Independent, 12 April 1999 | Magazine Articles | Jackson Pollock | Abstract Expressionism American Art 1940-80 |
| 1999 | ‘Zur Rezeption Jackson Pollocks in Grossbritanien, Frankreich und Italienin den fünfziger Jahren’ in Susanne Anna (ed) Die Informellen – von Pollock bis Schumacher, Hatje Cantz Verlag, Ostfildern-Ruit 1999 | Chapters in Books | Jackson Pollock | Abstract Expressionism British Art 1940-80 Modern European Art |
| 1999 | ‘Jackson Pollock and the Americanisation of Europe’, in Kirk Varnedoe and Pepe Karmel (eds), Jackson Pollock New Approaches, Museum of Modern Art, New York 1999 | Chapters in Books | Jackson Pollock | Abstract Expressionism British Art 1940-80 Modern European Art |
| 1999 | Interpreting Pollock, Tate Gallery Publishing, London 1999 | Books | Jackson Pollock | Abstract Expressionism Psychoanalysis & Art |
| 1998 | Karl Weschke – Portrait of a Painter, Petronilla Silver, Penzance 1998 | Books | Karl Weschke | Contemp. British Art Contemp. European Art Modern European Art |
| 1998 | Peter Frie. Maisema, Hanna and Pertti Niemistö Foundation, Helsinki 1998 | Exhib. Catalogue | Peter Frie | Contemp. European Art |
| 1997 | ‘The Contemporary Print – from Pre-pop to Postmodern’, Tate – The Art Magazine, Spring 1997 | Magazine Reviews | Various | Contemp. American Art Contemp. British Art Contemp. European Art Contemporary Prints Pop Art |
| 1997 | ‘Gabrielle Keiller Collection’, Burlington Magazine, November 1997 | Magazine Reviews | Various | American Art 1940-80 Modern European Art |
| 1997 | ‘Aspects de l’art anglais dans les années trentes’ in Suzanne Pagé (ed), Les Années trentes en Europe: le temps menaçant, Musée d’Art Moderne de la Ville de Paris, Paris 1997 | Essays in Catalogues | Various | British Art 1918-39 Constructivist Art |
| 1997 | ‘Ben Nicholson: Between Art and Craft’ in Tanya Harrod (ed), Obscure Objects of Desire: Reviewing the Crafts in the 20th Century, Crafts Council, London 1997 | Chapters in Books | Ben Nicholson | British Art 1918-39 |
| 1997 | ‘Between Black and White’ in Ian McKeever – Paintings 1990-96, Angel Row Gallery, Nottingham 1997 | Essays in Catalogues | Ian McKeever | Contemp. British Art |
| 1996 | ‘Lucio Fontana’, Burlington Magazine, October 1996 | Magazine Reviews | Lucio Fontana | Modern European Art |
| 1995 | ‘Projects and Portfolios: Narrative and Structure’ in Contemporary British Art in Print, Scottish National Gallery of Modern Art, Edinburgh 1995 | Essays in Catalogues | Various | Contemp. British Art Contemporary Prints |
| 1995 | ‘Willem de Kooning’, Carte d’Arte, September 1995 | Magazine Reviews | Willem de Kooning | Abstract Expressionism Contemp. American Art |
| 1995 | ‘Light of Darkness’ in Shirazeh Houshiary – Isthmus, British Council 1995 | Essays in Catalogues | Shirazeh Houshiary | Contemp. British Art |
| 1993 | Ben Nicholson, Tate Gallery, London 1993 | Exhib. Catalogue | Ben Nicholson | British Art 1918-39 British Art 1940-80 Constructivist Art |
| 1992 | Ben Nicholson, Fondation Pierre Gianadda, Martigny 1992 | Exhib. Catalogue | Ben Nicholson | British Art 1918-39 British Art 1940-80 Constructivist Art |
| 1992 | Brice Marden – Prints 1961-91. A Catalogue Raisonné, Tate Gallery, London and Musée d’art moderne de la ville de Paris, Paris 1992 | Exhib. Catalogue | Brice Marden | American Art 1940-80 Contemp. American Art Contemporary Prints Minimalism |
| 1991 | ‘New Directions for a National Collection’, Museum Management and Curatorship, June 1991 | Magazine Articles | Various | Museology |
| 1991 | ‘English Painting and the Metropolis in the Twenties’ in Jean Clair (ed), The 1920s: Age of the Metropolis, Musée de Beaux Arts, Montreal 1991 | Chapters in Books | Various | British Art 1918-39 |
| 1991 | ‘English Painting and the Metropolis in the Twenties’ in Jean Clair (ed), The 1920s: Age of the Metropolis, Musée de Beaux Arts, Montreal 1991 | Essays in Catalogues | Various | British Art 1918-39 |
| 1991 | ‘Abstract Expressionism by David Anfam’, Burlington Magazine, April 1991 | Magazine Reviews | Various | Abstract Expressionism |
| 1991 | David Smith – Medals for Dishonor 1937-1940, Henry Moore Sculpture Trust and Leeds City Art Galleries, Leeds 1991 (reprinted by the Tel Aviv Museum of Art in David Smith, Tel Aviv 1999) | Exhib. Catalogue | David Smith | American Art 1940-80 |
| 1991 | Ben Nicholson, Ediciones Poligrafa, Barcelona, Phaidon Press, Oxford and Rizzoli, New York 1991 | Books | Ben Nicholson | British Art 1918-39 British Art 1940-80 Constructivist Art |
| 1991 | ‘De Kooning and Dubuffet: The Women’, Burlington Magazine, February 1991 | Magazine Reviews | Willem de Kooning | Abstract Expressionism American Art 1940-80 Modern European Art |
| 1991 | ‘Gaudier-Brzeska’s Weeping Woman’, Burlington Magazine, April 1987 | Magazine Articles | Henri Gaudier-Brzeska | Vorticism |
| 1991 | ‘De Kooning and Dubuffet: The Women’, Burlington Magazine, February 1991 | Magazine Reviews | Jean Dubuffet | Abstract Expressionism American Art 1940-80 Modern European Art |
| 1991 | ‘The Birth and Destruction of Form in the Woodcuts of Georg 31’ in Rainer Michael Mason (ed), Georg 31 Prints, Centro d’Arte Julio Gonzalez, IVAM, Valencia 1991 | Essays in Catalogues | Georg Baselitz | Contemp. European Art Contemporary Prints |
| 1990 | ‘Avant-garde British Printmaking 1914-1960’, Burlington Magazine, December 1990 | Magazine Reviews | Various | British Art 1918-39 British Art 1940-80 Modern Prints 1900-80 Vorticism |
| 1990 | ‘Wols’, Burlington Magazine, February 1990 | Magazine Reviews | Wols | Modern European Art |
| 1990 | A Genius of Industrial England: Edward Wadsworth 1889 – 1949, Camden Arts Centre, London 1990 | Other Catalogues Edited | Edward Wadsworth | British Art 1918-39 British Art 1940-80 Modern Prints 1900-80 Vorticism |
| 1990 | ‘The Marine Still Lifes and Later Nautical Paintings’ in Jeremy Lewison (ed), A Genius of Industrial England. Edward Wadsworth 1889-1949, Camden Arts Centre, London 1990 | Essays in Catalogues | Edward Wadsworth | British Art 1918-39 |
| 1990 | ‘Jackson Pollock by Ellen Landau’, Burlington Magazine, September 1990 | Magazine Reviews | Jackson Pollock | Abstract Expressionism American Art 1940-80 |
| 1990 | Anish Kapoor – Drawings, Tate Gallery, London 1990 | Exhib. Catalogue | Anish Kapoor | Contemp. British Art Psychoanalysis & Art |
| 1989 | ‘Carnegie International’, Burlington Magazine, January 1989 | Magazine Reviews | Various | Contemp. American Art Contemp. British Art Contemp. European Art |
| 1989 | ‘Bilderstreit and Magiciens de la Terre’, Burlington Magazine, August 1989 | Magazine Reviews | Various | Contemp. American Art Contemp. British Art Contemp. European Art |
| 1989 | ‘Late Picasso and the Legacy of the 19th Century’, Carte D’Arte, May 1989 | Magazine Reviews | Pablo Picasso | Modern European Art |
| 1989 | ‘Giuseppe Penone’, Burlington Magazine, April 1989 | Magazine Reviews | Guiseppe Penone | Contemp. European Art |
| 1989 | ‘Jean Fautrier’, Burlington Magazine, September 1989 | Magazine Reviews | Jean Fautrier | Modern European Art |
| 1988 | ‘PS after Turner’ in Pat Steir Prints 1976-88, Cabinet des Estampes, Geneva and Tate Gallery, London 1988 | Essays in Catalogues | Pat Steir | Contemp. American Art Contemporary Prints |
| 1988 | ‘Hans Hofmann’, Carte d’Arte, December 1988 | Magazine Reviews | Hans Hofmann | Abstract Expressionism American Art 1940-80 |
| 1987 | English Heritage – Humpty Fucking Dumpty (T 05009) Open Tate entry | Tate Cat. Text | Bill Woodrow | Contemp. British Art |
| 1987 | Monkey Puzzle (T 05076) Open Tate entry | Tate Cat. Text | Terry Winters | Contemp. American Art |
| 1987 | ‘Terry Winters, Painting as Metaphor’ in Reason and Emotion in Contemporary Art, Scottish Arts Council, Edinburgh 1987 | Essays in Catalogues | Terry Winters | Contemp. American Art |
| 1987 | ‘Form and Meaning in Susan Rothenerg’s Prints’ in Rachel Maxwell (ed), Susan Rothenberg – The Complete Prints, Dolan Maxwell Gallery, Philadelphia 1987 | Essays in Catalogues | Susan Rothenberg | Contemp. American Art Contemporary Prints |
| 1987 | Ben Nicholson, Fundacion Juan March, Madrid and Fudacion Calouste Gulbenkian, Lisbon 1987 | Exhib. Catalogue | Ben Nicholson | British Art 1918-39 British Art 1940-80 Constructivist Art |
| 1987 | ‘Howard Hodgkin’s Prints’, Carte d’Arte, promotional issue, 1987 | Magazine Reviews | Howard Hodgkin | Contemp. British Art Contemporary Prints |
| 1986-7 | Vertical Spin (T 04913) | Tate Cat. Text | Susan Rothenberg | Contemp. American Art Contemporary Prints |
| 1986 | Catalogue entries in Pontus Hulten (ed) Futurismo e Futurismi, Palazzo Grassi, Venice 1986 | Essays in Catalogues | Various | Vorticism |
| 1986 | Untitled (T 04928) Open Tate entry | Tate Cat. Text | Terry Winters | Contemp. American Art Contemporary Prints |
| 1986 | Terry Winters – Eight Paintings, Tate Gallery, London 1986 | Exhib. Catalogue | Terry Winters | Contemp. American Art |
| 1986 | ‘Ken Tyler, Master Printer and the American Print Renaissance’ by Pat Gilmour, Burlington Magazine, September 1986 | Magazine Reviews | Ken Tyler | Contemp. American Art Contemporary Prints |
| 1986 | ‘Rites of Passage’ in Alister Warman (ed), Martin Naylor, Serpentine Gallery, London 1986 | Essays in Catalogues | Martin Naylor | Contemp. British Art |
| 1986 | ‘The Prints of Robert Motherwell by Stephanie Terenzio’, Burlington Magazine, January 1986 | Magazine Reviews | Robert Motherwell | American Art 1940-80 Contemporary Prints |
| 1986 | Etchings to Rexroth (P 77208-32) Open Tate entry | Tate Cat. Text | Brice Marden | American Art 1940-80 Contemp. American Art Contemporary Prints |
| 1986 | I (T 04938) Open Tate entry | Tate Cat. Text | Brice Marden | American Art 1940-80 Contemp. American Art Contemporary Prints |
| 1986 | Sol LeWitt – Prints 1970-86, Tate Gallery, London 1986 | Exhib. Catalogue | Sol LeWitt | American Art 1940-80 Conceptual Art Contemp. American Art Contemporary Prints |
| 1986 | ‘The Prints of Jean Fautrier’, Print Quarterly, September 1986 | Magazine Reviews | Jean Fautrier | Modern European Art Modern Prints 1900-80 |
| 1985 | Sculptural Alternatives – Aspects of Photography and Sculpture in Britain 1965-82, Tate Gallery, London 1985 | Exhib. Catalogue | Various | British Art 1940-80 Conceptual Art Contemp. British Art Contemporary Prints Modern Prints 1900-80 |
| 1985 | ‘Alison Wilding’ in Anthony Bond (ed), The British Show, Art Gallery of New South Wales, Sydney 1985 | Essays in Catalogues | Alison Wilding | Contemp. British Art |
| 1985 | ‘The Early Prints of Ben Nicholson’, Print Quarterly, June 1985 | Magazine Articles | Ben Nicholson | British Art 1918-39 Modern Prints 1900-80 |
| 1984 | ‘Czech Sculpture’, Burlington Magazine, 1984 | Magazine Reviews | Various | Modern European Art |
| 1984 | ‘Zush. Visions of Life’, Studio International, 1984 | Magazine Articles | Zush | Contemp. European Art |
| 1984 | Paul (T 04138) Open Tate entry | Tate Cat. Text | Sean Scully | Contemp. British Art |
| 1984 | Four Green Lines (P77057) Open Tate entry | Tate Cat. Text | Susan Rothenberg | Contemp. American Art Contemporary Prints |
| 1984 | Sculpture for the Lawn – Jonathan Froud and Don Rankin, Tate Gallery, London 1984 | Exhib. Catalogue | Don Rankin | Contemp. British Art |
| 1984 | Untitled (Black Cup) (P 77126) Open Tate entry | Tate Cat. Text | Elizabeth Murray | Contemp. American Art Contemporary Prints |
| 1984 | Sculpture for the Lawn – Jonathan Froud and Don Rankin, Tate Gallery, London 1984 | Exhib. Catalogue | Jonathan Froud | Contemp. British Art |
| 1984 | ‘Stephen Campbell at Riverside Studios’, Studio International, 1984 | Magazine Reviews | Stephen Campbell | Contemp. British Art |
| 1983-4 | Painting in Gold Frame (P 77054) Open Tate entry | Tate Cat. Text | Roy Lichtenstein | American Art 1940-80 Contemporary Prints |
| 1983 | ‘Spanish Art, a View from the Outside’, in Jeremy Lewison (ed), New Spanish Figuration, Kettle’s Yard Gallery, Cambridge 1983 | Other Catalogues Edited | Various | Contemp. European Art |
| 1983 | ‘Spanish Art, a View from the Outside’, in Jeremy Lewison (ed), New Spanish Figuration, Kettle’s Yard Gallery, Cambridge 1983 | Essays in Catalogues | Various | Contemp. European Art |
| 1983 | Ben Nicholson – The Years of Experiment 1919-39, Kettle’s Yard Gallery, Cambridge 1983 | Exhib. Catalogue | Ben Nicholson | British Art 1918-39 Constructivist Art |
| 1983 | Henri Gaudier-Brzeska, Sculptor 1891-1915, Kettle’s Yard Gallery, Cambridge 1983 | Other Catalogues Edited | Henri Gaudier-Brzeska | Vorticism |
| 1983 | ‘A Note on Chronology’ in Jeremy Lewison (ed), Henri Gaudier-Brzeska, Sculptor 1891-1915, Kettle’s Yard Gallery, Cambridge 1983 | Essays in Catalogues | Henri Gaudier-Brzeska | Vorticism |
| 1983 | Field Day (P 07935) Open Tate entry | Tate Cat. Text | Barry Flanagan | Contemp. British Art Contemporary Prints |
| 1983 | Welsh Cob (P07936) Open Tate entry | Tate Cat. Text | Barry Flanagan | Contemp. British Art Contemporary Prints |
| 1982 | Circle: Constructive Art in Britain 1934-40, Kettle’s Yard Gallery, Cambridge 1982 | Other Catalogues Edited | Various | British Art 1918-39 Constructivist Art |
| 1982 | ‘Dos Artistas Britanicos. Karl Weschke y Ian Breakwell’, Vardar, May 1982 | Magazine Articles | Karl Weschke | Contemp. British Art |
| 1982 | Untitled (P 07804) | Tate Cat. Text | Cindy Sherman | Contemp. American Art |
| 1982 | Nanny, Small Bears and Bogeyman (T 03839) Open Tate entry | Tate Cat. Text | Paula Rego | Contemp. British Art |
| 1982 | Five Forms Derived from a Cube (Set of 5) (P 77014-18) Open Tate entry | Tate Cat. Text | Sol LeWitt | American Art 1940-80 Conceptual Art Contemporary Prints |
| 1982 | A Square Divided Horizontally and Vertically into Four Equal Parts, Each with a Different Direction of Alternating Parallel Bands of Lines (P 77013) Open Tate entry | Tate Cat. Text | Sol LeWitt | Conceptual Art Contemp. American Art Contemporary Prints |
| 1982 | Take it from the Top (P 07759) Open Tate entry | Tate Cat. Text | Allen Jones | Contemp. British Art Contemporary Prints Pop Art |
| 1982 | Savarin (P 07736) Open Tate entry | Tate Cat. Text | Jasper Johns | Contemp. American Art Contemporary Prints |
| 1982 | Asymmetrical Settee (T 04136) Open Tate entry | Tate Cat. Text | Scott Burton | Contemp. American Art |
| 1982 | ‘Dos Artistas Britanicos. Karl Weschke y Ian Breakwell’, Vardar, May 1982 | Magazine Articles | Ian Breakwell | Contemp. British Art |
| 1982 | Ian Breakwell, Galeria Fernando Vijande, Madrid 1982 | Exhib. Catalogue | Ian Breakwell | Conceptual Art Contemp. British Art |
| 1982 | Drummer Open Tate entry | Tate Cat. Text | Georg Baselitz | Contemp. European Art Contemporary Prints |
| 1982 | Head (P 07780) Open Tate entry | Tate Cat. Text | Georg Baselitz | Contemp. European Art Contemporary Prints |
| 1981-2 | The Concorde Series (P77143-45) Open Tate entry | Tate Cat. Text | Ellsworth Kelly | British Art 1918-39 Contemp. American Art Minimalism |
| 1981 | Running Boy with Strange Fingers (P 07637) Open Tate entry | Tate Cat. Text | Sandro Chia | Contemp. European Art Contemporary Prints |
| 1981 | The Butcher (P 07638) Open Tate entry | Tate Cat. Text | Sandro Chia | Contemp. European Art Contemporary Prints |
| 1981 | April Manual (P 07632-36) Open Tate entry | Tate Cat. Text | Sandro Chia | Contemp. European Art Contemporary Prints |
| 1981 | 120 Days (T 03936-38) Open Tate entry | Tate Cat. Text | Ian Breakwell | Contemp. British Art |
| 1981 | Eagle (P 07779) Open Tate entry | Tate Cat. Text | Georg Baselitz | Contemp. European Art Contemporary Prints |
| 1980s | Morulla I, Morulla II, Morulla III (P77061-3) Open Tate entry | Tate Cat. Text | Terry Winters | Contemp. American Art Contemporary Prints |
| 1980 | Kettle’s Yard, an Illustrated Guide, Kettle’s Yard, Cambridge 1980 | Books | Various | British Art 1918-39 Constructivist Art Vorticism |
| 1980 | Karl Weschke, Kettle’s Yard Gallery, Cambridge 1980 | Exhib. Catalogue | Karl Weschke | Contemp. British Art |
| 1980 | Head and Bones (P07740) Open Tate entry | Tate Cat. Text | Susan Rothenberg | American Art 1940-80 Contemp. American Art Contemporary Prints |
| 1980 | Michael Porter, Kettle’s Yard Gallery, Cambridge 1980 | Exhib. Catalogue | Michael Porter | Contemp. British Art |
| 1980 | Screwarch Bridge State II (P77106) Open Tate entry | Tate Cat. Text | Claes Oldenburg | American Art 1940-80 Contemp. American Art Contemporary Prints Pop Art |
| 1980 | Untitled (P 07555-60) | Tate Cat. Text | Donald Judd | Contemp. American Art Contemporary Prints Minimalism |
| 1980 | Box (P 07449) Open Tate entry | Tate Cat. Text | Allen Jones | Contemp. British Art Contemporary Prints Pop Art |
| 1980 | Room, East Side, Rug, Summer, Sea, Car, Elements, Coat (P 11072-79) Open Tate entry | Tate Cat. Text | Philip Guston | American Art 1940-80 Modern Prints 1900-80 |
| 1980 | Painter (P 77009) Open Tate entry | Tate Cat. Text | Philip Guston | American Art 1940-80 Modern Prints 1900-80 |
| 1980 | Door (P 07999) Open Tate entry | Tate Cat. Text | Philip Guston | American Art 1940-80 Modern Prints 1900-80 |
| 1980 | Self Portrait (P 07988) | Tate Cat. Text | Terry Frost | British Art 1940-80 Modern Prints 1900-80 |
| 1979-82 | Inflammatory Essays (P07847) Open Tate entry | Tate Cat. Text | Jenny Holzer | Contemp. American Art Contemporary Prints |
| 1979 | vertical stripe 20 April (T 04862) Open Tate entry | Tate Cat. Text | Ben Nicholson | British Art 1940-80 |
| 1979 | Tiles (P07849-52) Open Tate entry | Tate Cat. Text | Brice Marden | Contemp. American Art Contemporary Prints |
| 1979 | Umea, Sweden (P 07987) Open Tate entry | Tate Cat. Text | Terry Frost | British Art 1940-80 Modern Prints 1900-80 |
| 1979 | Camping Anduze (P 07986) Open Tate entry | Tate Cat. Text | Terry Frost | British Art 1940-80 Modern Prints 1900-80 |
| 1978 | 16 Strings (T 03951) Open Tate entry | Tate Cat. Text | Ben Nicholson | British Art 1940-80 |
| 1977-9 | Female Nude on a Kitchen Chair (P 77011) Open Tate entry | Tate Cat. Text | Georg Baselitz | Contemp. European Art Contemporary Prints Modern European Art |
| 1977 | Black Sea (T 03364) Open Tate entry | Tate Cat. Text | Philip Guston | American Art 1940-80 |
| 1975 | The Location of Six Geometric Figures (P 07660-65) Open Tate entry | Tate Cat. Text | Sol LeWitt | Conceptual Art Contemp. American Art Contemporary Prints |
| 1974 | Preview (P 07715) Open Tate entry | Tate Cat. Text | Robert Rauschenberg | American Art 1940-80 Pop Art |
| 1974 | Still Life with Portrait (P 77053) | Tate Cat. Text | Roy Lichtenstein | American Art 1940-80 Contemporary Prints Pop Art |
| 1972 | Mao-Tse Tung (P 77073-82) Open Tate entry | Tate Cat. Text | Andy Warhol | American Art 1940-80 Contemporary Prints Pop Art |
| 1972 | Seven Aquatints (P 07717-23) Open Tate entry | Tate Cat. Text | Robert Ryman | American Art 1940-80 Contemp. American Art Contemporary Prints |
| 1971 | Electric Chair (P 07725-34) Open Tate entry | Tate Cat. Text | Andy Warhol | American Art 1940-80 Contemporary Prints Pop Art |
| 1971 | Yellow Body (P 77010) Open Tate entry | Tate Cat. Text | Robert Rauschenberg | American Art 1940-80 Pop Art |
| 1971 | Cornered (T 04885) Open Tate entry | Tate Cat. Text | Philip Guston | American Art 1940-80 |
| 1970 | Kent State (P 77043) Open Tate entry | Tate Cat. Text | Richard Hamilton | British Art 1940-80 Contemporary Prints Pop Art |
| 1968 | smiling nude (T 03953) Open Tate entry | Tate Cat. Text | Ben Nicholson | British Art 1940-80 |
| 1967 | Untitled (with Dog and Axe) (P 07739) Open Tate entry | Tate Cat. Text | Georg Baselitz | Contemp. European Art Contemporary Prints Modern European Art |
| 1965 | Untitled (P 07738) Open Tate entry | Tate Cat. Text | Georg Baselitz | Contemp. European Art Contemporary Prints Modern European Art |
| 1965 | Rebel (P 07737) Open Tate entry | Tate Cat. Text | Georg Baselitz | Contemp. European Art Contemporary Prints Modern European Art |
| 1964 | Nulli Secundus (T 04847) Open Tate entry | Tate Cat. Text | Hans Hofmann | Abstract Expressionism American Art 1940-80 |
| 1963-4 | Table and Chair (T 03793) Open Tate entry | Tate Cat. Text | Richard Artschwager | Conceptual Art Contemp. American Art |
| 1960 | Damn Braces (P11070) Open Tate entry | Tate Cat. Text | Sam Francis | Abstract Expressionism American Art 1940-80 Modern Prints 1900-80 |
| 1960 | Blue Blood Stone (P11071) Open Tate entry | Tate Cat. Text | Sam Francis | Abstract Expressionism American Art 1940-80 Modern Prints 1900-80 |
| 1956 | Leeds (P 07985) Open Tate entry | Tate Cat. Text | Terry Frost | British Art 1940-80 Modern Prints 1900-80 |
| 1954 (c.) | Boat Shapes (P 07983) | Tate Cat. Text | Terry Frost | British Art 1940-80 Modern Prints 1900-80 |
| 1954 | Boat Shapes (P 07984) | Tate Cat. Text | Terry Frost | British Art 1940-80 Modern Prints 1900-80 |
| 1953 | Man in a Cap (P 07781) | Tate Cat. Text | Jean Dubuffet | Modern European Art Modern Prints 1900-80 |
| 1952 | Boat Shapes ((P 07982) Open Tate entry | Tate Cat. Text | Terry Frost | British Art 1940-80 Modern Prints 1900-80 |
| 1952 | Blue Moon (P 07981) Open Tate entry | Tate Cat. Text | Terry Frost | British Art 1940-80 Modern Prints 1900-80 |
| 1952 | Dawn (P 77109) Open Tate entry | Tate Cat. Text | Milton Avery | American Art 1940-80 |
| 1951 | Number 14 (T 03978) Open Tate entry | Tate Cat. Text | Jackson Pollock | Abstract Expressionism American Art 1940-80 |
| 1950-2 | Untitled (T04148) | Tate Cat. Text | Mark Rothko | Abstract Expressionism American Art 1940-80 |
| 1949 | Violet Hostage (P 77139) Open Tate entry | Tate Cat. Text | Jean Fautrier | Modern European Art Modern Prints 1900-80 |
| 1948 | Summertime: Number 9A (T 03977) | Tate Cat. Text | Jackson Pollock | Abstract Expressionism American Art 1940-80 |
| 1947 | Baby-Mine (P77140) Open Tate entry | Tate Cat. Text | Jean Fautrier | Modern European Art Modern Prints 1900-80 |
| 1946-7 | Untitled (T04147) | Tate Cat. Text | Mark Rothko | Abstract Expressionism American Art 1940-80 |
| 1946 | Hostages on a Black Ground (P77120) Open Tate entry | Tate Cat. Text | Jean Fautrier | Modern European Art Modern Prints 1900-80 |
| 1945 (c.) | Dark Landscape (P 77121) Open Tate entry | Tate Cat. Text | Jean Fautrier | Modern European Art Modern Prints 1900-80 |
| 1942-51 (c.) | Untitled Etchings (P 07948-84) Open Tate entry | Tate Cat. Text | Wols | Modern European Art Modern Prints 1900-80 |
| 1942 (c.) | Reclining Woman IV (P77119) Open Tate entry | Tate Cat. Text | Jean Fautrier | Modern European Art Modern Prints 1900-80 |
| 1941 (c.) | Birth (T 03979) Open Tate entry | Tate Cat. Text | Jackson Pollock | Abstract Expressionism American Art 1940-80 |
| 1936 (c.) | sculpture (T 04119) Open Tate entry | Tate Cat. Text | Ben Nicholson | British Art 1918-39 Constructivist Art |
| 1932 (c.) | nude (T 03952) Open Tate entry | Tate Cat. Text | Ben Nicholson | British Art 1918-39 |
| 1928 | Regalia (T 03398) | Tate Cat. Text | Edward Wadsworth | British Art 1918-39 |
| 1923-4 (c.) | first abstract painting, Chelsea (T 04861) Open Tate entry | Tate Cat. Text | Ben Nicholson | British Art 1918-39 |
| 1918 | ‘Projects and Portfolios: Narrative and Structure in Ruth Pelzer-Montada (ed.), Perspectives on Contemporary Printmaking. Critical Writing Since 1986, Manchester University Press, Manchester 2018 | Chapters in Books | Contemporary Prints | |
| 1914 | Torso (T03731) Open Tate entry | Tate Cat. Text | Henri Gaudier-Brzeska | Vorticism |
| 1914 | Crouching Fawn (T 03729) Open Tate entry | Tate Cat. Text | Henri Gaudier-Brzeska | Vorticism |
| 1913-14 (c.) | Figure (T 03732) Open Tate entry | Tate Cat. Text | Henri Gaudier-Brzeska | Vorticism |
| 1913 | The Dancer (T 03726) Open Tate entry | Tate Cat. Text | Henri Gaudier-Brzeska | Vorticism |
| 1913 | Sleeping Fawn (T 03728) Open Tate entry | Tate Cat. Text | Henri Gaudier-Brzeska | Vorticism |
| 1912 (c.) | The Idiot, (T 03730) Open Tate entry | Tate Cat. Text | Henri Gaudier-Brzeska | Vorticism |
| 1912 | Fallen Workman (T 03727) Open Tate entry | Tate Cat. Text | Henri Gaudier-Brzeska | Vorticism |