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Exhibitions

Helene Schjerfbeck Exhibition 20 Jul 2019 Royal Academy, London
Alice Neel: Painter of Modern Life 30 Oct 2016 - 6 Jan 2018 Ateneum
Gemeentemuseum den haag
Turner Monet Twombly: Later Paintings 8 Oct 2011 - 28 Oct 2012 Moderna Museet, Stockholm
Staatsgalerie Stuttgart
Tate Liverpool
Alice Neel: Family 8 Sep 2011 - 16 Nov 2011
Alice Neel: Paintings and Drawings 29 Oct 2010 - 14 Jan 2011 Scheiblermitte, Berlin
Alice Neel: Painted Truths 10 Oct 2010 - 2 Jan 2011 Moderna Museet, Malmö
Museum of Fine Arts Houston
Whitechapel Gallery, London
Alice Neel, Paintings 20 May 2010 - 26 Jun 2010 L.A. Louver, Venice CA
Capturing Time 13 Sep 2009 - 8 Nov 2009 Kadist Art Foundation, Paris
Alice Neel: Works on Paper 18 Apr 2009 - 14 May 2009 Victoria Miro Gallery, London
Alice Neel, Collector of Souls 6 Sep 2008 - 7 Dec 2008 Moderna Museet, Stockholm
Alice Neel: Pictures of People 27 Sep 2007 - 1 Nov 2007 Galerie Aurel Scheibler, Berlin
Alice Neel: The Cycle of Life 23 May 2007 - 21 Jul 2009 Victoria Miro Gallery, London
Ben Nicholson for Museum of Modern Art, Hayama 2004 Museum of Modern Art, Hayama
Premio Biella per l’incisione: Art in the Age of Anxiety 2004 Museo Del Territorio, Biella
Helene Schjerfbeck Exhibition
20th July 2019
Royal Academy, London

Jeremy Lewison was the lead curator of the Helene Schjerfbeck exhibition that opened on 20 July at the Royal Academy, London.

This is the first Schjerfbeck survey to be shown in the United Kingdom and was proposed by Lewison to the Royal Academy as a co-operation between the Royal Academy and the Ateneum, Finnish National Gallery. With 65 paintings and two drawings it is a survey of Schjerfbeck’s work from the early 1880s, which she pent in Paris and Pont-Aven Paris, to her final two years in Sweden.

Born in 1862 and dying in 1946, Schjerfbeck lived through a turbulent period of history and one of rapid and revolutionary changes in art, yet kept her own course. In addition to a wide range of portraits and still life, there are a small number of early landscapes, but the highlight of the show is a series of twenty self-portraits arranged in chronological order that chart the ageing process as well as Schjerfebck’s vivid imagination.

The exhibition has been attracting very positive reivews. Laura Cumming, in the Observer, writes: ‘It would be hard to think of a more overdue subject for a show than the Finnish artist Helene Schjerfbeck’. Describing her as an ‘astonishing talent’ with ‘a strong sense of ... singularity’ Cumming praises the ‘judicious’ selection of the works and considers the gallery of self-portraits as ‘superbyly presented’. Rachel Campbell-Johnson, in the Times, tells readers that they are in for ‘a wonderfully striking surprise’ and describes the room of self-portraits as ‘utterly riveting’. She concludes that ‘the series ... ranks among the most extraordinary depictions of self in art history’. Mark Hudson, in the Telegraph describes them as a ‘hair-raising sequence of paintings’ within a ‘fascinating show’ while Melanie McDonagh, in the Standard claims that the exhibition is an ‘overdue tribute to a very considerable artist.’

Click here to read more about Helene Schjerfbeck.

Lewison also contributed the principal essay in the catalogue, ‘Mirror and Mask’, and wrote the section introductions.

An all day symposium about Schjerfbeck’s work will be held at the Royal Academy on Friday 27 September and Jeremy Lewison will be giving a lecture at the RA on 13 September at 11 am.

The show continues until 27 October.

Self-Portrait, Black Background 1915
Oil on canvas 45.5 x 36 cm Finnish National Gallery/Ateneum Art Museum, Herman and Elisabeth Hallonblad Collection Photo: Finnish National Gallery/Yehia Eweis
Portrait of a Girl in Blue & Brown (Inez) 1944
Oil on canvas 51 x 38 cm Finnish National Gallery/Ateneum Art Museum Yrjö & Nanny Kaunisto Collection Photo: Finnish National Gallery/Hannu Aaltonen
Self-Portrait 1912
Oil on canvas 43.5 x 42 cm
Finnish National Gallery/Ateneum Art Museum Photo: Finnish National Gallery/Yehia Eweis
Self-Portrait with Red Spot 1944
Oil on canvas 45 x 37 cm
Finnish National Gallery/Ateneum Art Museum, Gösta and Bertha Stenman Donation Photo: Finnish National Gallery/Henri Tuomi
Maria 1909
Oil on canvas 57 x 73 cm
Finnish National Gallery/Ateneum Art Museum Photo: Finnish National Gallery/Yehia Eweis
The Seamstress (The Working Woman) 1905
Oil on canvas 95.5 x 84.5 cm
Finnish National Gallery/Ateneum Art Museum Photo: Finnish National Gallery/Hannu Aaltonen

Link

To view Laura Cumming’s review click here
To read Melanie McDonagh’s article in the Standard click here

Click here to read more about the Helene Schjerfbeck.

Publications

‘The Mask and the Mirror’ in Helene Schjerfbeck, Royal Academy, London, 2019