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Helene Schjerfbeck Catalogue

Three New Publications

Helene Schjerfbeck Exhibition opens to Acclaim at the Royal Academy

Two Recent Publications

Alice Neel: Painter of Modern Life

Alice Neel: Painter of Modern Life

Alice Neel: Painter of Modern Life

Two New Publications

Two New Publications

Barbara Hepworth Reconsidered

Barbara Hepworth Reconsidered

Two New Alice Neel Exhibitions

Alice Neel. My Animals and Other Family

Asger Jorn and Jackson Pollock

Alice Neel: Intimate Relations. Drawings and Watercolours 1926-1982

Alice Neel: People and Places

Alice Neel: People and Places

Alice Neel Portraits and Still Lifes

Turner Monet Twombly: Later Paintings

Alice Neel: Family

Michelangelo Pistoletto. Mirror Paintings

Turner Monet Twombly: Later Paintings

Alice Neel: Painted Truths

The Art of Not Sitting Pretty, a biography of Alice Neel by Phoebe Hoban

Painted Truths 'Exhibition of 2010'

Alice Neel: Painted Truths Moderna Museet, Malmö

Alice Neel: Painted Truths Whitechapel Gallery

Alice Neel: Painted Truths Museum of Fine Arts, Houston

Alice Neel: Paintings L.A. Louver, Los Angeles

Alice Neel: Painted Truths Museum of Fine Arts Houston and Yale University Press

Publication on Brice Marden

New Publication: Ben Nicholson Prints 1928-1968, The Rentsch Collection

Henry Moore by Jeremy Lewison, Taschen

What Makes Good Art?

Helene Schjerfbeck Catalogue

Jeremy Lewison has written the principal essay in the catalogue for the exhibition that took at the Royal Academy in 2019 and that continues on to the Ateneum - Finnish National Gallery, Helsinki in 2019-20. His essay, titled ‘The Mask and the Mirror’ looks at the development of Schjerfbeck’s work from student days in Paris to her final year in Sweden, identifying sources and looking at the impact of the Rococo revival and Japonism as well as the art of Goya, Daumier and others. In examining her approach he identifes her desire to mask emotion in her effort to convey introspection, while also indicating a strong sense of irony that permeates her late self-portraits. Lewison also contributed all the introductions to the catalogue sections.
Two further essays are included in the catalogue, an introduction by Anna-Maria von Bonsdorf, chief curator at the Ateneum, and an essay on Schjerfbeck’s stay in St Ives by Desiree de Chair.
More than 6,400 copies of the catalogue have been sold to date and the catalogue reached no 6 in the top 20 art book sales.

Helene Schjerfbeck catalogue

Link

To buy the catalogue from the Royal Academy click here

Publications

‘The Mask and the Mirror’ in Helene Schjerfbeck, Royal Academy, London, 2019